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Artist profile

Tarsila do Amaral

Tarsila do Amaral (1886–1973) was a foundational figure in Brazilian Modernism and one of Latin America's most influential 20th-century visual artists. Studying in Paris under Fernand Léger and André Lhote, she synthesized European avant-garde styles like Cubism and Surrealism with vibrant Brazilian subject matter, local colors, and indigenous iconography. Her landmark 1928 painting 'Abaporu' inspired Oswald de Andrade's 'Manifesto Antropofágico' (Cannibalist Manifesto), catalyzing the Antropofágia movement that redefined Brazilian cultural identity. Major recent retrospectives at MoMA, the Art Institute of Chicago, MASP, and Musée du Luxembourg have solidified her international standing as a titan of modern art history.

Ranking metrics

Cofactor

93.88

Credential score

1481.5

Reference 80×100cm

$116,400

Credentials

Nationality
Brazilian
Museum exhibitions
45
Solo exhibitions
25
Group exhibitions
130
Museum collections
Museum of Modern Art (MoMA), Museu de Arte de São Paulo (MASP), Pinacoteca do Estado de São Paulo, Museo de Arte Latinoamericano de Buenos Aires (MALBA), Museu de Arte Contemporânea da Universidade de São Paulo (MAC USP)
Gallery representation
Almeida e Dale Galeria de Arte
Private collections
50
Press
600
Scholarly articles
150
Books
30
Auction record
$11,250,000

Last updated 2026-08-09.

Where each value came from

Expand a field to see the sources the research pass cited for it and how the field-level confidence was derived.

Sources and confidence by field

Average field confidence 60% · 13 imported fields · 9 without a field-level source

Identity

Nationality

Brazilian

46%

Birth / death years

1886–1973

46%

Mediums

painting, drawing, illustration

46%

Prices

Auction record

$11,250,000

87%

Representation

Gallery representation

Almeida e Dale Galeria de Arte

51%

Museum collections

Museum of Modern Art (MoMA), Museu de Arte de São Paulo (MASP), Pinacoteca do Estado de São Paulo, Museo de Arte Latinoamericano de Buenos Aires (MALBA), Museu de Arte Contemporânea da Universidade de São Paulo (MAC USP)

92%

Private collections

50

46%

Exhibitions

Museum exhibitions

45

92%

Solo exhibitions

25

92%

Group exhibitions

130

46%

Bibliography

Books

30

46%

Press

600

46%

Scholarly articles

150

46%